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Another shaky camera effect invented on that film was one the crew called "Blank-O-Cam", where the cameraman would lie on a blanket and be carried in it by four grips, the camera pointed forward near ground level to track people's feet.
Janusz Kamiński, cinematographer for Steven Spielberg on 1998's Saving Private Ryan, used a traditionally-shot scene of a modern-day cemetery to open the film.
The camera is held in the hand, or given the appearance of being hand-held, and in many cases shots are limited to what one photographer could have accomplished with one camera.
Shaky cam is often employed to give a film sequence an ad hoc, electronic news-gathering, or documentary film feel.
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For the initial action sequence, he used the hand-held camera technique to depict the gritty intensity and brutality of the 1944 Normandy beach assault on D-Day, from the boat to the beach and beyond.
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Jonas Mekas named and defended the "shaky camera" work of avant-garde filmmakers, writing in Film Culture in 1962 that he was "sick and tired of the guardians of Cinema Art" accusing the new cinematographers of poor camera skills.